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Instruments in progressive rock
One of the most important reasons I am listening to progressive rock is that in this kind of music we can often hear very wide instruments kit. It's great to mix traditional rock "foursome" guitar/bass/perc/keys with other instruments, sometimes ethnic, sometimes less exotic but still intriguing.
I'd like to ask you about your favourite "non-rock" instruments present in prog. Flutes, saxes or maybe harpsichord and church organ, oboe or clarinet (these are of course examples)? Please justify your choice - is it because you love given instrumentalist's performance so much or because you're simply never fed up with sound of the instrument and feelings it evokes. Finally, what are in your opinion unforgettable tracks/albums with unforgettable "non-rock" instruments' performances? :) |
especially in concert is where I see these "special" moments, but for me the violin is one. I saw this band saturday as an opener called "Skeleton Breath", where the violin player just went nuts.
My favorite lead is the end of UK's "Caesar's Palace Blues". Eddie Jobson just goes to town! And of course, 90% of what Jean-Luc ponty does is superb. Jerry Goodman, etc. There's a lot to choose from. The flute is a close second, with Thijs Van Leer and Ian Anderson leading the way. Of course never discount the vibra-slap! :D |
Uilleann Pipes
I'm not sure of any bands that use Uilleann pipes other than Iona, but I do love their sound. They're not quite like bagpipes - they tend to not use the drones in Iona, that goes a long way to removing the Scottish bagpipeyness (good word, huh?).
Anyhow, I'm not sure why I like them so much. Maybe because they just sound so peaceful to me. Maybe because I'm half Irish and it's bred into me. Iona sounds great when they mix this type of instrument with synths and electric guitars. You wouldn't think it would work, but it does. |
zzboooing !
in my opinion, the band which uses the widest palette of (non-rock) instruments is Gentle Giant, I remember the day I saw the band's line-up for the first time I was very surprised because I was expecting to see a long list of all kind of instrumentists...
I like very much the "dramba", I dont know the name in English, but you can hear it on the track "Join Together With The Band" by The WHO. (you know maybe the movie "BLACK CAT, WHITE CAT" by Emir KUSTURICA, in which "dramba" plays a special role) |
Re: Uilleann Pipes
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Re: Uilleann Pipes
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Here I stand looking out to sea and I say a prayer that the Wild Goose will come to me Then the Uillean pipes come in. "The Wild Goose" is the ancient Celtic symbol for the Holy Spirit, so the song depicts the Wild Goose falling on Joanne (actually on St. Brendan). If you see Iona in concert, or look at pics, you'll see the giant Wild Goose artwork behind the stage. Of course, who can forget the harpsichord break in "Siberian Khatru," or it's featuring in "Madrigal"? I also like ethnic percussion and such, as Yes used on "The Ladder" in many tracks. I can hear a song in my head that uses a didgeridoo, but I can't place it... Not prog, but what about the theremin in "Good Vibrations"? I'm sure the theremin is used in prog sometimes, but can't think of any particulars. The ethereal Christian band Jabobstone uses theremin frequently, but they are definitely not prog - more like dream pop. Of course, the use of sitar is great. King's X used it on "Out of the Silent Planet" and "Not Just for the Dead." Adrian Belew used it on Kevin Max's solo album. Um, that's enough for now... (Still waiting for someone to do a killer gutbucket solo :rolleyes: ) |
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There's a theremin played by Ronnie Montrose on the second tune of his "Open Fire" CD. It's on the Moon. May be one on the Acuity record too. |
non-rock instrumentation
Hoo boy, Wojtek, you hit upon one of the subjects and subsets of prog that has drawn me here from day one and kept me here ever since. I've loved "non standard" instrumentation since I first started listening to music, when I was knee high to a low knee. Frank Zappa's use of Marimba and the like started it all.
But amongst my current favorites: Par Lindh Project - Mundus Incompertus Their use of pipe organ makes the entire epic for me. It wouldn't be the same with the standard Moog, ya know? Peter Gabriel - His use of many ethnic instruments makes his already poweful music that much more so. Focus - Their use of Alto and Bass flute (which should actually be considered a 'tenor' flute, but that's not their fault) adds a haunting quality to many of their pieces Dixie Dregs - OK, now is there ANYONE who's surprised that this hot fiddlin' group made it to my list? The Bash shows their virtuosity in ways that your average southern pickin' just wouldn't do. It brings out the inner redneck in me every time I hear it. But this isn't limited to just The Bash. Many of their tunes are enhanced by their violin work. Genesis - See Peter Gabriel. Steve Stevens - yeah, he doesn't use any non-standard instrumentation, but he takes what he DOES use and uses it to the hilt. His use of the accoustic guitar makes my heart sing. I could go on. And on. Roger -Dot- Lee, waiting for the first Prog Rock band that uses a Euphonium and makes it WORK! |
while Rome burns...
and don't forget Kansas and Rich Williams... :cool:
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Re: while Rome burns...
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Roger -Dot- Lee, when did Kansas ever record with a Euphonium? :D |
The Oboe has such a beautiful tone best summed up in the slow movement of Brahms' Violin Concerto but as we're talking Prog here, FRUUPP incorporated the Oboe played by Stephen Houston on their first 3 albums. He left before the release of their fourth album "Modern Masquerades" being replaced by John Mason who played Vibes (another strange instrument). Try listening to some of the tracks from "Prince of Heavens Eyes" by them.
A full orchestra is something else that (in the right circumstances) works well with a Rock band. I've seen BJH, Camel, Renaissance, The Moody Blues, Yes and Deep Purple perform with an orchestra and each time I felt it worked. Getting the right balance between the orchestra and the band is obviously crucial here as well as being EXTREMELY difficult but in all of the above cases they did well. The best were The Moodies and Yes with Renaissance and Camel close behind. If you want to see an example of this then check out the DVD "Yes Symphonic" recorded in Amsterdam during the Magnification tour. A truly wonderful rendition of "Ritual" will unfold before your eyes. Watching the members of the orchestra (especially the wodwind section) grooving along to the band when they were playing on their own is a sheer delight. |
Re: while Rome burns...
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if not, sorry. |
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Outside the Wall
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Re: Uilleann Pipes
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Re: Outside the Wall
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I just got my hand on Rythmix from Universe Zero. The use of the harpsichord is very cool.
I believe synthesizers are inherently linked to prog music. From the Lucky Man Moog solo to the awesome Watcher In The Sky Mellotron strings (not officially a synthesizer), I have always been attracted to prog because of the cool synthesizer timbres. The Oberheim strings in Fools Overture... That one string-like note held over most of Crystal Ball… That single ascending synth lead at the end of Dukes Travels(“I call you for I must leave"), luv them synths. (Can you tell I've led a sheltered life, such newbie references) |
squeeze box!!!
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If you'd have seen The Wall you'd know that it is neither clarinet or oboe. It is an old english triple reed concertina (an accordion). Oh, and it wasn't played by Waters. |
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Re: squeeze box!!!
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There is a Concertina in there...but there's also a woodwind of some sort starting things off after the explosions (either a Clarinet or a Soprano Sax with a VERY soft reed). Roger -Dot- Lee, knows his woodwinds. Maybe. |
There's a concertina, and an oboe/clarinet, and Waters most definitely plays it. On video footage of the Wall tour, you see Waters and the hired musicians finish the show literally outside the wall. They walk on from one side of the stage, Waters playing the melody on a reed with the concertina and guitar. He stops playing, sings the song (...after all it's not easy banging your head against some mad bugger's wall), then they all walk off the opposite side of the stage, Waters playing the reed. I saw it on VH1.
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VH1's behind the music
This week...Pink Floyd!
Roger Waters, whose concertina was only visible to Spaz, is Obscured By Clouds to vax. Roger, who some say is an Atom Heart Mother, gives vax a Dark Side of the Moon by saying he's half right. Aah but we may have multiple videos. Who can uncover the Saucerful of Secrets? Need I say More? I Wish You Were Here to see the video. Then we'd all know. Saw Tina at a concert once, she was playing a special woodwind. And we'll leave that one to the censors. Come to think of it, we're all just a bunch of Animals. |
Re: VH1's behind the music
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This says Waters is seen leading the troupe on and off the stage with a "clarinet" (read, not an oboe). I don't recall the clarinet from the Nassau Coliseum performance of The Wall by the whole of Pink Floyd. I do know that there was the concertina (that's visible in my pix but I don't see a clarinet). My guess is that none were actually played live but used only as props in the last few moments outside the toppled wall. At least I saw it live and not on VH1. :p ... and the DSotM at RFK, Animals and Wish You Were Here at the Philly Spectrum, and of course The Wall at Nassau Coliseum. The last PF tour for me was the Division Bell FRC at Giant Stadium. |
1. I amended to clarinet
2. The Wall concert overview Scroll down to the picture of the Wall falling and look left, you see this: "By The Trial, it was Roger on stage alone contemplating his fate against the animated court. There the brutal judge dredged up the characters in Pink's life before him and demanded The Wall be torn down, exposing all of Pink's frailty and fears in full view. Images flashed on The Wall in rapid sequence as the first few bricks tumbled down onstage. The rumble grew louder until the entire edifice came crashing down in systematic chaos. During Outside The Wall, the minstrels of doom armed with acoustic guitars, a mandolin, an accordian, and Waters puffing on a clarinet, marched through the rubble in the final act, proclaiming "it's not easy banging your heart against some mad bugger's wall". |
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Chapman Stick. Nuff said.
Nino "Saving For A Stick" Batista |
Focus - Their use of Alto and Bass flute (which should actually be considered a 'tenor' flute, but that's not their fault) adds a haunting quality to many of their pieces
roger- there is such a thing as a "real bass flute". tim weisberg used a model that i think fills the "tenor flute" bill although it's not labeled as that. this thing was (an est.) 3 ft. longw/ a circumference of around 3 in. the bass flutes that i've seen have a curved section which are actually contrabass flutes. believe it or not, there's also a contrabass flute pitched 2 octaves below the bass flute! here's a link to all the types of flutes- http://www.contrabass.com/pages/flutes.html i'll be introducing my flute playing on future zenpool recordings (my neo-classical piece "for one day of peace" was the 1st). k |
A few extra mentions to spur further discussions:
Andy Mackay plays a beautiful oboe on a number of Roxy Music toons. Patrick Moraz likes odd Brazilian percussion and features it extensively on his "I" album. Lots of horns and woodwinds on a variety of Crimson albums, along with a kalimba. Maybe the kalimba was Jamie Muir's contribution; can't remember the track off the bat. Personally, I love the "stick," and Trey Gunn's variant, the Warr guitar. I'm leaving out a hell of a lot of stuff, particularly the cello -- one of my favorites. |
how low can you go?...
great link, Kirk! thanks! :cool:
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anytime R! oh yeah...i found an octabass flute
that's supposed to be able to play a C 0 (zero) ! agreed on the chapman stick. there's used ones about for a good price (i found 5 on ebay a few weeks ago starting @ $800). it's on my wishlist ! k |
Ok, time to answer own questions :D :
It seems that among ethnic instruments the most popular are these connected with Celtic culture. And I like them very much: flutes, harp, violins... From the mentioned ones I like flute most but Ian Anderson like performance and flute sound is not my favourite. I prefer deep, "wet" and delicate sound of the instrument called panflute. It reminds of the traditional Mayan or Aztec instruments because of the characteristic sound of exhaled air. It sounds fantastic but is not very popular among rock flutists. I love also mentioned by Moses pipes. Their master Troy Donockley is phenomenal musician. Try his recent solo album The Pursuit of Illusion. Now about keyboards. Definitely Hammond Organ and mellotron are symbols of 70's music, especially progressive rock. The last mentioned instrument has some incredible "banks", being sincere I have to admit that there is some shit on mellotron too ;). But let's concentrate of the pleasant ones. So: - choir - still popular in symphonic rock. They were used by Tony Banks, sounded fantastic in Genesis compositions. Do you remember incredible Los Endos fragment as the ending of Seconds Out album? What a moment, what a fantastic mellotron choir performance! - violins - very often mixed up with strings. No, this ghastly, shrill sound, symbol of classic mellotron is not 'strings' but 'violins'. Mellotron has 'strings' bank but it's sth different. - flutes - very nice, old-school sound. Very often used by for ex. Tomas Bodin. To sum up, in my opinion adding varied palette of instruments to the album is a symptom of big musical imagination and idea for music. PS. One question. I know that Spock's Beards uses bozouki, I know what it is. But where is it heard on their albums? PS2. Great banjo on Tiles albums. :p |
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Oh, I know this. When I was in college, I dated a flautist. She gave me the rundown on the different flute sizes and the like. They exist, they're just mislabelled. :D Ah yes, I've been there before. VERY nice site for the big horns. Incidentally, it gladdens my heart tremendously to find that Jay Easton has finally secured himself that BBb Octocontramonster he was talking about a year ago last christmas. The Epplesheim Tubax, as I recall. I got a chance to listen to him play his Eb Contrabass sax at the same time. Talk about an experience. I could feel it rattling my sinuses. Wonderful sound it had. It was taller than he was, as I recall. Quote:
Roger -Dot- Lee, I want one of them Tubax..... |
wojtek- have you heard hubert law's "inside the great pyramid"?
from your description, i bet you'd love it. i don't know how he got permission, but it's actually recorded where the name implies. most don't realize this, but ian (being self taught) holds his R hand in the wrong position (keys the instrument incorrectly). "bouree" is much easier to figure out after moving the R hand up 1 key, but makes a trill w/ the little finger almost impossible. i love hearing him play, he brings an enormous amount of energy to the instrument. k/z |
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Don't forget the Klaghorn (Jeffrey made it) on Dharma for one.
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Flutes and such
There's one track on AM called "Ballade" by Matthias Ziegler. Every sound is made by different types of flutes.
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