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#1
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Re: The most important sentences in prog rock lyrics
happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with what you have to be happy with
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#2
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![]() such a fine group of lyrics i'll add these from Echolyn's Mei:
"We were careless...To be taken by such misery That tastes of violence—the saints are silent—God won't perform here anymore!" and this gem further on: "My love is pale....a perfect...shade of...fear" and my fav in the song "I would do anything it takes to feel the sun again...I am ready to receive" good thread |
#3
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Re: The most important sentences in prog rock lyrics
Quote:
"Do not stand at my grave and cry, I am not there, I did not die", "I will see you again on the other side, someday" and the particularly gripping, "Remember what's been given, not taken away". Words to live by.... |
#4
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Re: The most important sentences in prog rock lyrics
"It's pasties and a G-string, beer and a shot
Portland through a shot glass and a Buffalo squeeze Popcorn, front row, higher than a kite, and I'll be back tomorrow night, And I'll be back tomorrow night" Just a portion of the epic "Pasties and a G-string" by Tom Waits |
#5
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Re: The most important sentences in prog rock lyrics
Quote:
![]() Don't make me start with the Ian Gillian (the master of the double entendre) |
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